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1	Aesthetics	ABS-3
Rethinking Dance Aesthetic: The Presence Of Ephemerality In Virtual Choreography Riana Diah Sitharesmi Gorontalo State University Abstract Today virtual world allowed the rise of new culture of Indonesian dance, a virtual culture. It is somehow an obligation to advancing creativity so that we can well posit the challenge towards the dance existence. As a virtual choreography differed from recording dance performance, I am addressing some crucial matters, e.g. the competence of a choreographer to master digital technology, the presence of ephemerality as the nature of dance, and the prospect of an economically breakthrough in contemporary works productivity. For this paper, my imperative is to investigate the aesthetic significance of virtual contemporary choreography and to emphasizing ephemerality, the nature of the dance itself. Since my experiment on creating virtual dance failed to complete, I carried on the research within a more theoretical investigation, which caused a slight change on the process. I observed contemporary (virtual) dance presentations to seeing and understanding the essentials, which also a reflective evaluation upon my own failure. The selected literature sources on virtual art and technology were used to deconstruct a previous insight to bring the analysis into philosophical inquiries. At the end, the research found that doing virtual contemporary choreography is not only a matter of epistemology but also a matter of value, which necessarily reach an ontological aesthetic. Keywords: aesthetic, virtual choreography, contemporary dance, philosophical inquiry Share Link | Plain Format | Corresponding Author (Riana Diah Sitharesmi)

2	Arts Conservation	ABS-15
Vishnu Symbolism in Shri Krishna^s Imagery: Comparative Study of Kresnayana Reliefs on Prambanan, Panataran, and Kedaton Temple Waridah Muthi^ah (a*), Agus Sachari (b) a,b) Faculty of Arts and Design, Institut Teknologi Bandung Jalan Ganesha 10, Bandung 40132, Indonesia *waridah.muthiah[at]students.itb.ac.id Abstract As a widely-known figure from Mahabharata and Kresnayana saga, life story of Shri Krishna was often carved in temple reliefs as a mean to teach heroism and morality values. In regard of his status as Lord Vishnu^s avatar, Krishna was traditionally portrayed with symbolism attached to the god, as regulated in canonical scriptures such as Silpasastra and Manasara. Nevertheless, his portrayal in reliefs was transformed from time to time. This research is focused to study the symbolism of Vishnu in Krishna^s imagery on three reliefs in Indonesia: Vishnu Temple in Prambanan Complex, Main Temple in Panataran Complex, and Kedaton Temple, by comparing symbols in Krishna^s attire (bhusana) and attributes (laksana). In analyzing the transformation of Vishnu^s symbolism in Krishna^s imagery, this research is conducted using descriptive and comparative method with iconography and historical approach. This research posed as a preliminary study in mapping the transformation of Hindu iconography in relevance with the socio-cultural aspect in society. It is assumed that the flourished depiction of Kresnayana in East Java^s temples are occurred due to the widespread influence of Vaishnava sect, originated from South Asia in the 11th century CE. In East Java temples, Krishna was not only portrayed as Vishnu avatar, but also as the manifestation of the King himself, who was act as the representation of Vishnu in microcosm level. The syncretism between Vaishnava and Shivaism that flourished in the Kediri era and culminated in the Majapahit era, supported by the weakening of Indian influences and a strong influence of local beliefs, also affected the visualization of Vishnu^s symbolism in the portrayal of Krishna^s attire and attributes. Keywords: Antiquity Era- iconography- Kedaton- Kresnayana- Krishna^s imagery- relief- Panataran- Prambanan- Vishnu symbolism. Share Link | Plain Format | Corresponding Author (Waridah Muthiah)

3	Arts Conservation	ABS-19
BANJAR TRADITION A CULTURAL CAPITAL THROUGH CREATIVE RECONTRUCTION IN BANJARMASIN SOUTH KALIMANTAN Edlin Y Nugraheni Sri Hidayah Khalimahtusyadiah Lambung Mangkurat University Abstract The main study of this research focuses on Banjar traditional art, which is one of the cultural assets to build the character of the nation, especially the next generation through creative reconstruction in Banjarmasin. Where creative reconstruction is often carried out by the community, especially the millennial youth today. The focus of the problem being studied is the Banjar traditional art forms that have been creatively reconstructed by the people of Banjarmasin today. The research strategy used descriptive qualitative research methods. Reminiscent of cross-sectoral problems, namely regarding cultural facts, the perspective of the approach used is interpretive phenomenology. Sources of data in research include: information / resource persons, written sources in the form of references relevant to research studies, archives and documentation. Data collection techniques in this study using observation, interviews, documentation and literature study. Based on the research, it can be concluded that the development of the Banjar traditional art tenology can be enjoyed and known by the community, namely by holding a creative reconstruction by the people of Banjarmasin, especially among the young / millennial generation. In the art of music, by accessing digital traditional arts, learning dance by looking at movements online without the need for a coach, all of those things that are becoming known through today^s modern technology, are packaged practically. Learning techniques and insights into Banjar traditional art are known from the aspects of tourism, technology, and nature. Thus, there are more advanced steps nowadays, the preservation of Banjar Tradition art is easier to access both locally, nationally and internationally. Keywords: bentuk seni tradisi Banjar, Rekontruksi kreatif, Teknologi modern Share Link | Plain Format | Corresponding Author (Edlin Yanuar Nugraheni)

4	Arts Creation	ABS-14
Installation Art, Loro Blonyo and Cultural Identity Strengthening Satriana Didiek Isnanta, Much. Sofwan Zarkasi, Asmoro Nurhadi Panindias Institut Seni Indonesia Surakarta Jl. Ki Hajar Dewantara No. 19 Surakarta direct[at]isi-ska.ac.id Abstract This article is the result of a study on the creation of experimentation-based installation art with the source of the idea of creating the Loro Blonyo sculpture. Loro blonyo is a pair of wooden statues consisting of a statue of a woman accompanied by a man wearing a traditional Javanese wedding dress in a basahan style in a sitting position. Broadly speaking, the meaning of the Loro Blonyo statue for Javanese society is the unity of a couple as a reflection of the harmony and unity of Javanese thoughts. The meaning of the loro blonyo statue is then analyzed, elaborated and reinterpreted. The research method uses the Dharsono Artistik Creation (2016), namely: research with an ethical approach and research with an emic approach, exploration, experimentation and formation. The results of the research were concluded and became the basis for the concept of installation art with the visual form of local culture as a strengthening of cultural identity. Keywords: installation art, art experimentation, loro blonyo, cultural identity. Share Link | Plain Format | Corresponding Author (Satriana Isnanta)

5	Arts Creation	ABS-17
MELANGENGKAN KEMENANGAN DALAM LOMBA LOMBA SENI PERTUNJUKAN Rully Aprilia Zandra Universitas Negeri Malang Abstract Menang atau kalah adalah sebuah konsekuensi wajar yang dialami saat mengikuti perlombaan seni. Ada lembaga yang menang, kemudian kalah pada perlombaan lainnya, atau sebaliknya. Namun terdapat juga lembaga yang selalu menang disetiap perlombaan. Untuk menjembatani gap tersebut penelitian difokuskan pada stategi melanggengkan kemenangan dalam mengikuti perlombaan musik, tari dan teater. Data dikumpulkan dengan cara wawancara, observasi, dan dokumentasi. Selanjutnya data dipaparkan dan dikonfirmasi dengan teori dominasi. Hasil dari penelitian ini menunjukan bahwa cara melanggengkan kemenangan adalah dengan meningkatkan kemampuan berbasis kapital budaya musik, tari dan teater dalam sebuah kelas khusus. Materi kelas khusus harus sesuai dengan pemetaan arena yang di peroleh dari kemenangan sebelumnya.Bagi lembaga yang berharap kemenangan, harus memiliki salah satu dari kapital budaya, sosial, ekonimi, dan simbolis. Kapital yang paling mudah untuk diduplikasi adalah kapital budaya. Keywords: dominasi lomba, strategi seni, melanggengkan kemenangan, seni pertunjukan. Share Link | Plain Format | Corresponding Author (Rully Aprilia Zandra)

6	Arts Creation	ABS-18
BANJAR TRADITION A CULTURAL CAPITAL THROUGH CREATIVE RECONTRUCTION IN BANJARMASIN SOUTH KALIMANTAN Lambung Mangkurat University , Jl. Brigjen Hasan Basri Banjarmasin Kalimantan Selatan, Indonesia. Abstract The main study of this research focuses on Banjar traditional art, which is one of the cultural assets to build the character of the nation, especially the next generation through creative reconstruction in Banjarmasin. Where creative reconstruction is often carried out by the community, especially the millennial youth today. The focus of the problem being studied is the Banjar traditional art forms that have been creatively reconstructed by the people of Banjarmasin today. The research strategy used descriptive qualitative research methods. Reminiscent of cross-sectoral problems, namely regarding cultural facts, the perspective of the approach used is interpretive phenomenology. Sources of data in research include: information / resource persons, written sources in the form of references relevant to research studies, archives and documentation. Data collection techniques in this study using observation, interviews, documentation and literature study. Based on the research, it can be concluded that the development of the Banjar traditional art tenology can be enjoyed and known by the community, namely by holding a creative reconstruction by the people of Banjarmasin, especially among the young / millennial generation. In the art of music, by accessing digital traditional arts, learning dance by looking at movements online without the need for a coach, all of those things that are becoming known through today^s modern technology, are packaged practically. Learning techniques and insights into Banjar traditional art are known from the aspects of tourism, technology, and nature. Thus, there are more advanced steps nowadays, the preservation of Banjar Tradition art is easier to access both locally, nationally and internationally. Keywords: Banjar traditional art form, creative reconstruction, modern technology Share Link | Plain Format | Corresponding Author (Sri Hidayah)

7	Arts Education	ABS-11
A Study about Integrated Design Project between Industry and Education: Haus am Horn in Weimar and CONEFO Building in Jakarta Christophera Ratnasari Lucius (1), Imam Santosa (2), Widjaja Martokusumo (3) 1) Faculty of Arts and Design, Institut Teknologi Bandung, Indonesia. 2) Faculty of Arts and Design, Institut Teknologi Bandung, Indonesia. 3) School of Architecture, Planning, and Policy Development, Institut Teknologi Bandung, Indonesia. Abstract Design becomes a way to answer problems in society, so design disciplines must be integrated with other disciplines. Design education institutions have the chance to provide opportunities for students to interact directly with the industrial world. An integrated design project can be a learning model to create a collaborative mindset in design education. Literature studies show that an integrated design project was carried out by Staatliches Bauhaus in Germany in 1923 through the construction of the Haus am Horn as a solution to the housing problem involving social, economic and technical aspects- while Institut Teknologi Bandung has created a field laboratory in the interior and exterior work of the CONEFO building complex in 1964. This study aims to find the similarities between the two models of integrated design projects, which confirm the collaboration between practitioners and academics. The results of the study provide the assumption that there is a similar Bauhaus activity model in design activities at Institut Teknologi Bandung, which then becomes part of the overall research on the Influence of Bauhaus on Design in Indonesia. Keywords: CONEFO Building, idea activity artifact, influence Bauhaus in Indonesia, integrated design project, Haus am Horn, Staatliches Bauhaus. Share Link | Plain Format | Corresponding Author (Christophera Ratnasari Lucius)

8	Arts Management	ABS-4
The Management of Dance Studio in Semarang Muhammad Jazuli, Samsul Alam, Lesa Paranti Universitas Negeri Semarang Abstract An organization, a dance studio must have efficient and effective work programs. Other than that, the quality of products and ability to measure the benefit values are demands in this era of technology development. This study aims to find the management system of dance studio so that it can be used as a model or reference for a more professional dance studio management. The Covid-19 pandemic limits the field study activities in several research places so that the research object and location are determined at Greget dance studio in Semarang, Central Java. This research is based on the qualitative analysis. The data of studio^s activities are analyzed with the ethnochoreology approach and the management system with the structural-functional theory. The research steps are (1) the data collections through observation, interview, and document study- (2) the data validity uses credibility, transferability, dependability, and confirmability, (3) the result of data collection and focus group discussion (FGD)- (4) analysis and model design (hypothesis) arrangement of dance studio^s management. The findings show that the management of Greget dance studio includes: (1) organization management, is about the form of the dance studio organization, articles of association and bylaws (AD/ART), administration that contains the data of administrator, students, infrastructures, correspondence, and work programs- (2) production management, includes training, creation, and dance performing- (3) performance management, includes the presentation of dances, dancers, stage artistic. The newness of this research is that the three kinds of management are synergizing each other effectively to actualize the function and purposes according to the dance studio^s missions. The results of this research can be used as references or models to the more effective and efficient dance studio management Keywords: dance studio, management, production Share Link | Plain Format | Corresponding Author (Muhammad Jazuli)

9	Arts Studies	ABS-24
KONSERVASI UPACARA PERKAWINAN DALAM BEDAYA WIWAHA SANGASKARA KRATON KASULTANAN YOGYAKARTA Pramularsih Wulansari Pasca Sarjana Program Doktoral Pengkajian Seni Institut Seni Indonesia Surakarta Abstract Jenis Penelitian yang digunakan dalam penelitian ini adalah penelitian kualitatif, dengan perspektif kajian teks dan kontekstual melalaui penyajian Bedaya Wiwaha Sangaskara. Metode penelitian deskriptif kualitatif merupakan metode yang lebih menekankan pada kekuatan analisis data yang diperoleh melalui berbagai sumber-sumber yang diperoleh dari berbagai buku dan tulisan-tulisan lainnya dengan mengandalkan teori-teori yang ada untuk diinterpretasikan secara jelas dan mendalam. Teknik pengumpulan data melalui telaah dokumen melalui bukti-bukti tertulis, website, video, foto-foto tentang upacara perkawinan adat Jawa. Tujuan penulisan ini adalah 1. menjelaskan latar belakang munculnya karyakoreografi Bedaya Wiwaha Sangaskara., 2. memaparkan proses adaptasi (alih wahana) dari upacara adat perkawinan Jawa ke dalam bentuk koreografi Bedaya Wiwaha Sangaskara, 3. menjelaskan secara teks dan konteks nilai-nilai simbolis estetis dalam stuktur (susunan) koreografi Bedaya Wiwaha Sangaskara Hasil penelitian menunjukan bahwa Bedaya Wiwaha Sangaskara adalah sajian tari yang dipergelarkan dalam upacara perkawinan agung Kraton Kasultanan Yogyakarta. Bedaya ini diciptakan oleh Sultan Hamengkubuwana IX pada tahun 1942 yang direncanakan untuk dipentaskan pada saat beliau dhaup dengan garwa padmi. Konteks konservasi nilai-nilai kearifan lokal memliki relevansi dan memiliki nilai kegunaan yang tinggi, seperti yang dilakukan KR.T Poerboningrat sebagai koreografer Bedaya Wiwaha Sangaskara menyampaikan informasi fenomena upacara perkawinan adat Kraton Kasultanan Yogyakarta melalui sebuah karya tari, yaitu Bedaya Wiwaha Sangaskara. Konsep garap koreografi dilakukan secara cermat, karena sajian Bedaya Wiwaha Sangaskara tidak hanya mengungkapkan bentuk estetis dalam tampilan secara visual namun di dalamnya terkandung pesan-pesan moral sebagai sebuah tuntunan dan tontonan. melalui sebuah karya tari, yaitu Bedaya Wiwaha Sangaskara, sebagai bentuk konservasi terhadap adat dan nilai-nilai kearifan Keywords: Bedaya Wiwaha Sangaskara, upacara perkawinan, Kraton Kasultanan Yogyakarta Share Link | Plain Format | Corresponding Author (Pramularsih Wulansari)

10	Cultural and Media Studies	ABS-10
THE USE OF SOCIAL MEDIA FOR RAISING AWARENESS OF CULTURAL HERITAGE AND PROMOTING INDUSTRIAL HERITAGE IN INDONESIA Maya Rosa (a*), YanYan Sunarya(b) (a*) (b) Faculty of Arts and Design Institut Teknologi Bandung Abstract When the physical present is not available as an option, going digital is another way to keep cultural heritage awareness going. One of the most popular and easy to use digital platform to this day is social media. The social media is fundamentally designed as a participative medium. Users expected to participate, without physical present, through sharing and contributing contents and contextual information such as photos or personal diary entries. Social media users can also participate in cocurating of memories collection and networking building with other users, in fact there are opportunities to raise the exposure for the cultural heritage awareness. Following World Heritage Convention 1972, among the defined types of cultural heritage, industrial heritage is one of the least known forms of heritage, so there is a need to promote this form of heritage. Awarded in 2019 as UNESCO World Heritage Sites, the city of Sawahlunto is located 90 kilometers from Padang, the central hub of West Sumatra, and about 2.5 hours^ drive from other popular destination. In addition, the long and outstanding mining history has set the existence of industrial heritage in Indonesia. Particular to this site, due to the location constrain, the city of Sawahlunto is hardly to be the sole tourist destination despite its potential, thus the need to promote the city of Sawahlunto and industrial heritage will be a major task and the need to utilize the most current alternative media , which is social media, is crucial. This paper analyse the result of a study on how the content of Instagram, as one of the social media applications that use the visual platform, can be used for raising awareness of cultural heritage, moreover the aim of this study is to understand the relationship between Instagram contents and Cowans^s diplomacy technique namely: monologue, dialogue, and collaboration as a mode for engaging social media users as the audience to raise awareness of cultural heritage. Keywords: Social media, Cultural Heritage, Industrial Heritage, Instagram, Artificial Intelligence Share Link | Plain Format | Corresponding Author (Maya Rosa)

11	Cultural and Media Studies	ABS-13
Maintaining the Sustainability of Rumah Gadang Through Social Media in the Era of Digital Technology Rosalinda Wiemar (a*), Yasraf Amir Piliang (b), Deddy Wahjudi (c) a) Student Faculty of Visual Art and Design, Bandung Institute of Technology. Jalan Ganesha 10, Bandung 40132, Indonesia. rosalindaw[at]itb.ac.id b) Faculty of Visual Art and Design, Bandung Institute of Technology. Jalan Ganesha 10, Bandung 40132, Indonesia. yasraf[at]fsrd.itb.ac.id c) Faculty of Visual Art and Design, Bandung Institute of Technology. Jalan Ganesha 10, Bandung 40132, Indonesia. deddywahjudi[at]gmail.com Abstract The culture of the Minangkabau tribes in West Sumatra has existed since ancient times. One of the masterpieces of architectural cultural heritage that characterizes Minangkabau is the rumah gadang, which is a traditional building belonging to the Minangkabau tribes, which is beautiful, of high value and full of meaning. This information is not widely known by the Indonesian people, especially people outside Indonesia. While the architecture of the rumah gadang is decreasing, it requires media, where people can get various information about the rumah gadang. In the era of the digital technology revolution, various communication technologies were born in the form of various applications that can be used as a means of social media. One of them is the Instagram application, where users can exchange information, especially through photos, videos and other information so that the observer (followers) gets various images. The research method used is the virtual ethnographic method, by making virtual observations through the Instagram application. The data were analyzed qualitatively using Visual Discourse theory. From this research it was found that information through social media, especially Instagram, is not only a place to exchange photos and videos but can provide positive information about the architectural culture of the Rumah Gadang. From these preliminary findings, hoped that it^s become input for further research through social media with similar topics, especially in cultural sciences in order to enrich people^s knowledge and preserve Minangkabau culture in general, the architecture of the rumah gadang in particular. Keywords: images, information, Instagram, rumah gadang, Minangkabau Share Link | Plain Format | Corresponding Author (Rosalinda Wiemar)

12	Dance	ABS-12
ECONOMIC IMPACT OF ARTS WORKERS DURING THE COVID-19 PLAGUE Alif Lintang Sayekti State University of Malang Abstract Covid-19 is one of the biggest plague disasters in 2020 that hit the whole world, and Indonesia is one of the countries affected by Covid-19. The impact of covid-19 is the implementation of PSBB or social distancing, which results in limiting large events such as weddings, gatherings, busking, opening ceremonies, and closing ceremonies. The implementation of the PSBB had a significant impact on the income of band players and dancers who got the most passive income from large and small events. In order to bridge the GAP, researchers are interested in finding out how the band players and dancers are still earning even though it is not as big as it was before the pandemic. This study used observation and interviews and confirmed using the mimicry theory. The results of this study indicate that band players and dancers must have side jobs or regular jobs outside of big and small events. So that when a pandemic or disaster occurs, it does not make the band players and dancers lose their opinion directly. Keywords: Covid-19, mimicry, performance, dance Share Link | Plain Format | Corresponding Author (Alif Lintang Sayekti)

13	Dance	ABS-20
Meaning in Silek Tuo in Nagari Paninggahan, Solok Regency Romi Nursyam, S.Sn, M.Sn S3 Program Studi Seni Pascasarjana ISI Surakarta Abstract ABSTRACT The purpose of the study was to find out and describe the meaning that existed in the Silek Tuo element, where the study included the conditions that must be fulfilled before the Silek Tuo practice, the meaning of the Silek Tuo itself from an Islamic perspective, and the meaning of the Silek Tuo movement, which would applied in Pencak Silat courses at the Dance Study Program at Jakarta State University. The method used in the research is descriptive qualitative method, where the meaning of Silek Tuo is described in writing, with the method of collecting data using observation and interviews. The urgency of this research is to improve psychomotor affective, and cognitive abilities of dance students about silat, especially the Silek Tuo must be added. The results of this study are a report describing the conditions that must be met to learn Silek Tuo, the meaning of motion, and the correlation of Islamic law to Silek Tuo in Paninggahan. Keywords: Silek Tuo Meaning Element Share Link | Plain Format | Corresponding Author (Romi Nursyam)

14	Dance	ABS-22
AESTHETIC VALUES IN MENAK RENGGANIS WIDANINGGAR DANCE Enis Niken Herawati Doctoral Program, Postgraduate Program at the Indonesian Art Institute (ISI) Surakarta Abstract This writing aims to describe the aesthetic values in the Menak Rengganis Widaninggar dance. The objects of this writing are Rengganis and Widaninggar. With hermeneutics and semiotics analysis techniques. In this paper, there is a discussion of the aesthetic values of the Menak Rengganis Widaninggar dance. Keywords: Rengganis Widaninggar Dance, Aesthetic Values. Share Link | Plain Format | Corresponding Author (Enis Niken Herawati)

15	Dance	ABS-23
PERUBAHAN BENTUK PENYAJIAN ARJA MUANI AKAH CANGING DI BALI SEBAGAI USAHA UNTUK MEMBUAT DARYA TARIK PENONTON Ni Nyoman Seriati Mahasiswa Pascasarjana Program Doktoral Pengkajian Seni Institut Seni Indonesia Surakarta Abstract Arja Muani Akah Canging adalah sebuah pertunjukan berbentuk dramatari yang dibawakan dengan menari sambil bernyanyi. Arja ini didukung oleh penari laki-lakiyang melakukan peran silang di atas panggung dengan menggunakan rias dan busana menyerupai perempuan. Adapun jumlah penari terdiri dari 5 orang, masing-masing membawakan peran sebagai berikut: 2 orang sebagai peran raja dan ratu, 3 orang berperan sebagai abdi. Tujuan dari penelitian ini untuk mengetahui perubahan bentuk penyajian pada dramatari Arja Muani Akah Canging sebagai Usaha Untuk Menarik Penonton. Penelitian ini menggunakanpendekatan deskriptip kualitatif.Pengumpulan data dilakukan melalui observasi, studi pustaka, dan wawancara. Teknik analisis data dilakuakan dengan mereduksi, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa Arja Muani Akah Canging merupakan genre baru dari arja tradisional yang telah ada sebelumnya. Perubahan dilakukan terhadap bentuk danisi dari terhadap pertunjukan arja sebelumnya. Pada bentuk dilakukan dengan mengadakan perubahan pada struktur dan elemen-elemen pertunjukannya, sedangkan dari segi isi perubahan dilakukan dengan mengurangi bagian yang bersifat serius dan lebih menonjolkan hiburan dengan menyajikan banyolan/humor. Keywords: Arja Muani, Akah Canging, perubahan, bentuk, penyajian Share Link | Plain Format | Corresponding Author (Ni Nyoman Seriati)

16	Ethnomusicology	ABS-26
The Eternity Of Melody And Lyrics Style In Music Clan Rully Aprilia Zandra Universitas Negeri Malang Abstract The domination of the Markasanan keroncong in the 1960-1965 era resulted in the perpetuation of musical elements and formations in keroncong in East Java. Chronological sequencing is necessary for mapping models in the cultural cycle. Causality between models is a mapping towards nomothetic concepts that might be found in the discussion. This research is focused on finding cultural cycles that occur in the keroncong genre of East Java. The researcher classifies the data on the development of musical elements related to East Java, and the use of East Javanese characters in the melody and keroncong lyrics. Valid data is presented again after being clarified with the literature regarding the concept of mimicry and hybrids. Clarification in each sub-discussion is carried out to find analytical answers that can answer the research questions that have been asked. This research finds that the melody and lyrics of the East Java keroncong orchestra songs are composed of the hybrid cultural assets of the songwriter. Hybrid musical content, which consists of local and imported capital, is perpetuated in a simultaneous and continuous cycle. The preservation of local and imported cultures takes place simultaneously, continuously, influences each other, and is identical. The same local and imported capital will continue to have its offspring as a musical clan. Keywords: musical clan, hybrid cultural, songwriter, cultural cycle, keroncong genre. Share Link | Plain Format | Corresponding Author (Rully Aprilia Zandra)

17	Fashion	ABS-21
REINTEPRETATION ^SEDAP MALAM ^ AS EMBROIDERY AND NEEDLEWORK MOTIFS Nurul Hidayati Dharsono Eko Supriyanto Silvester Pamardi Indonesian Institute of the Arts, Surakarta, Indonesia Abstract The making of embroidery and needlework motifs on art-wear that inspired from Sedap Malam (Sedap Malam) is the attempt to create an exclusive embroidery and needlework motifs as the identity of Pasuruan Regency, East Java. The creation of this motifs is the response from the need to develop, enrich, and design an embroidery and needlework motifs belongs to Pasuruan that would boost the sustainability of embroidery and needlework industry that is lately decreasing. Therefore, an experiment method in the form of innovative re-production is required to create an art-work with re-interpretation concept. The method in art creation used in this study is artistic research where the artist undergo several practices or creating process in the field study with emic approach, In this case, the process are developing the local potential in Pasuruan Regency (Sedap Malam) and identify what and how meaning inside it. The creation sages consist of data collection from various resources like field data and direct observation on Sedap Malam, literary study, and extensive interview with Tourism and Culture Department of Pasuruan Regency. The next stage is experimenting tuberose motif using reinterpretation concept. The motifs created during the experiment are stillation of Sedap Malam as the main motif, as well as complementary motifs generated from flora in the surrounding such as pandan leaves and rose balsam flower as the flower commodity in Pasuruan Regency. The inspiration in using Sedap Malam in creating embroidery and needlework motif on artwear results to artwear design with Sedap Malam motif that is made using embroidery and needlework technique, where Sedap Malam is presented as the main motif in the artwear. Keywords: Keywords : Sedap Malam, embroidery motif, art-wear, reinterpretation Share Link | Plain Format | Corresponding Author (nurul hidayati)

18	Internet of think for Visual Arts and Performing Arts	ABS-1
When the Religion Meets the Internet: Focusing on Naga Images Used by Visual Art in Thailand Ya Liang Chang College of Fine Arts, Huanggang Normal University, 146#, the 2nd Xingang Road, Huanggang, Hubei Province, 438000, P.R. China Abstract Naga, the guardian of Triratna, dominates the waters, and is an important cultural image of Thailand, as well as an auspicious symbol of ordinary life. There is a large and subtle Naga cultural heritage that includes folk literature and festivals in Thailand. Whether it is an old tradition or a new cultural creation, many cultural heritages named the Naga theme are combined with visual art, while spreading the images and beliefs of Naga through the Internet, including animations, artworks, sculptures, murals, festivals, amulets, fabrics, etc. This article aims to use iconography for analyzing Naga images of visual art in Thailand, and to explore the changes of Naga worship under the Internet. Research results show two important changes: (a), In cultural context terms, the cultural meaning of Naga images is changed on the internet, making it as a part of the cultural industry, which is different from previous religious connotations. (b), In the spread of Buddhism, the internet has led to changes in the way the Buddhist doctrine is diffused, including different interpretations of Buddhist scriptures, which is challenged by virtual worlds. Keywords: Naga, Visual art, Internet, Iconography Share Link | Plain Format | Corresponding Author (Ya Liang Chang)

19	Media, Film Studies, Theatre, Communication	ABS-6
Music Video: Evaluation of Communication Media for Health Campaign in Early Childhood Education and Development (ECED) Students Vina Mahdalena (a*), Lusia Handayani (b) Social and Political Science Faculty, Universitas Pembangunan Nasional Veteran Jakarta Abstract The media for health campaigns carried out by both the government and the private sector are very diverse. This shows the importance of selecting and packaging media at the planning stage. The target audience becomes the focal point of the communication media designer in determining how the media design should be made. In this study, the team will conduct research and development of communication media for health campaigns, especially regarding the 7 steps to wash hands for Early Childhood Education and Development (ECED) students. Planning for communication media in the form of a music video featuring a song entitled 7 steps to washing hands and a 4 years old model demonstrating how to wash hands properly. The songs written by the authors team have been adapted to the characteristics of children^s music that is cheerful and fun. Evaluation of the communication media used for this campaign was carried out by media experts, material experts and has been tested on several ECED students so that the feasibility of the media has been validated and can be disseminated to the public as health education materials. Keywords: Communication Media, ECED Students, Health Campaign, Music Video Share Link | Plain Format | Corresponding Author (Vina Mahdalena)

20	Music	ABS-16
THE RELATIONSHIP OF KERONCONG TO PHISIOLOGICAL AND PYSHOLOGICAL REALITIES Rully Aprilia Zandra, Santosa Soewarlan, Bambang Sunarto, Zulkarnain Mistoify Universitas Negeri Malang ISI Surakarta ISI Surakarta ISI Surakarta Abstract Keroncong is a music genre that has a long history in Indonesia. This music has fulfilled the functions of aesthetic, entertainment, communication, community integration, emotional expression, and physical reaction. It also fulfils the characteristics of music suitable for psychological and physical therapy purposes.However, there are no satisfactory conclusions about how keroncong music works clinically in reducing pain.To bridge this gap, researchers are interested in mapping how keroncong music works in the process of reducing pain.Data collection was carried out by searching for library sources on the Google Scholar library and online media, OJS, journal indexers, OneSearch pages, and various other online media. To discuss the results of the study, a co-citation analysis was carried out and the formulation of a logic flow that was confirmed or negated by the results of clinical keroncong and health research. The data series that have been arranged in a flow model is used to formulate statements in response to research questions.The results of this study indicate that keroncong can be used as music therapy for psychological and physical therapy. The use of keroncong music in a psychological aspect is to reduce anxiety, increase a sense of calm and comfort, thereby triggering alpha waves stimulation. At the same time, the physiological use of keroncong is to reduce pain by triggering the endorphin and serotonin hormones simultaneously. This study found a keroncong groove model as a pain reducer. Endorphin and serotonin hormones are triggers that trigger pain reduction. The simultaneous production of these two hormones is triggered by psychological and physical conditions triggered by keroncong tempo and melody. Keywords: keroncong music, physical therapy, psychological therapy, pain reducer, music therapy. Share Link | Plain Format | Corresponding Author (Rully Aprilia Zandra)

21	Photography	ABS-25
smartphone photography Ultraviolet Infrared Telescopy Optical System - Space & Lunar Observation Outreach for Children Annamalai Muthupalaniyappan , Arav Annamalai , Banu Namasivayam PVA COSMIC TELESCOPY SOLUTION Abstract Keywords: smartphone photography Ultraviolet Infrared Telescopy Optical System - Space & Lunar Observation Outreach for Children Share Link | Plain Format | Corresponding Author (Annamalai Muthupalaniyappan)

22	Technology on Art and Design	ABS-2
POVERTY INNOVATION AND DIGITAL CONTRIBUTION IN TRANSFORMATION OF KRINOK MUSIC TO BUNGO KRINOK FOR CULTURAL ADVANCEMENT Mahdi Bahar, Johannes, Uswan Hasan, Indra Gunawan, Zulkarnain, Hartati, M., dan Fatonah study program sendratasik, Jambi University. Jl. Lintas Sumatera Jalan Jambi - Muara Bulian Km. 15, Mendalo Darat, Kecamatan Jambi Luar Kota, Kabupaten Muaro Jambi, Jambi 36122 Abstract Innovation is a necessity in the development of traditional folk music and the use of digital technology is part of the work of innovation itself. Krinok music is one of the traditional music genres of the people of Jambi, is a musical cultural treasure and has the potential to be developed. The musical potential consists of several characters, especially the tone system, melodic contour, grenek, interval patterns, and circular musical journey, as well as the normative freedom of expression of spontaneous singing texts in the presentation that characterizes this musical entity. The contribution of digital technology in processing the potential of krinok music and the publication of its processed products is an inseparable part of the creative process itself. Through innovation by placing the traditional music genre of krinok as a musical art treasure that is developed creatively, the ^new^ music genre has come into being as a form of transformation called ^bungo krinok^ music.This work is part of the effort to advance Indonesia^s national culture. Keywords: krinok music, innovation, digital, creative, bungo krinok Share Link | Plain Format | Corresponding Author (Indra Gunawan)

23	The Arts of Recording Media	ABS-9
GENDER DISCRIMINATION IN A PORTRAIT DOCUMENTARY PERSPECTIVE ^AMERTA NING SINAR^ Ni Kadek Dwiyani, S.S., M.Hum, Nyoman Lia Susanthi, S.S., M.A, I Kadek Puriartha, S.Sn., MSn Program Study of Film and Television Production, Faculty of Art and Design, Indonesian Art Institute of Denpasar, Bali, Jalan Nusa Indah Denpasar Phone. 081236015425 Abstract This study aims at an overview of gender discrimination which impacts the balance of Balinese women^s rights and obligations in the phase of being a wife, daughter-in-law and mother of their children, in a visual perspective with a portrait documentary format. The portrait documentary ^Amerta Ning Sinar^ with a humanist approach provides visualization related to Balinese women and patriarchal culture which raises problems in the marriage phase for Balinese women. It is actually makes their position very unequal compared to the position of their husbands who have a superior level in the patriarchal culture itself. The method used is a qualitative research method with a descriptive approach collaborated with the theory of gender discrimination (CIDA: 1997) and Semiotics (Pierce in Piliang: 2018). The research results shows that gender discrimination that appears is gender discrimination are marginalization, subordination, violence and workload in the visuals shown in the documentary film ^Amerta Ning Sinar^ which is represented through Pierce^s Semiotics triadic scheme. Keywords: Keywords: Gender Discrimination, Portrait Documentary, ^Amerta Ning Sinar^ Share Link | Plain Format | Corresponding Author (NI KADEK DWIYANI)

24	Visual Cultures	ABS-7
The Myth of White Crocodiles, Nawa Gapura Marga Raja Guardian Fadhly Abdillah, Imam Santosa, Setiawan Sabana, R Achmad Opan Safari Hasyim ITB (Institut Teknologi Bandung) Abstract Besides functioning as a support for the community at that time, the river also served as a means of transportation, trade, and even defense. One of them is the Kriyan river which is located in the estuary area, which is the entry point that connects the Kasepuhan Palace through Nawa Gapura Marga Raja with the outside world, especially from the direction of the Java Sea, which is said to have been inhabited by estuarine crocodiles, which are known to be ferocious. The developing myth of the white crocodile, supposedly the guardian of the Nawa Gapura Marga Raja, was a prince^s son who was cursed by the sultan. The prince was so lazy in his daily life, that he got the curse, and finally realized that crocodiles had to live in the water (river), right in front of the Nawa Gapura Marga Raja, another term for Lawang Sanga. For Javanese people, buildings are associated with traditions and beliefs, starting from the shape of the building structure, to understanding the myths in it. The research was conducted using a visual narrative method. The results of the research are expected that according to the story that developed around the surrounding community, there is a mythological animal of a white crocodile who was a prince ^Angkawijaya^ who was cursed by his father Sulthan Sepuh 1 and became the guardian of Nawa Gapura Marga Raja. Keywords: nawa gapura marga raja, myth, visual narrative, white crocodile Share Link | Plain Format | Corresponding Author (Fadhly Abdillah)

25	Visual Cultures	ABS-8
SYMBOLIC MEANING OF PEDATI GEDE PEKALANGAN CIREBON Hendhy Nansha, Agus Sachari, Setiawan Sabana INSTITUT TEKNOLOGI BANDUNG Abstract Pedati Gede Pekalangan Cirebon will be the main object of this research. Although there are sources say that Pedati Gede logically cannot run, and many also believe that Pedati Gede is a magical vehicle that can walk by not touching the ground (flying), but this research is not to prove the truth of the story. Finding the symbolic meaning of Pedati Gede is the main focus. This research is a qualitative research with an ethnographic approach through oral history, and a semiotic approach through visual narrative. Data collection obtained through interviews, observation, and literature study. The results of this study indicate that Pedati Gede Pekalangan is a symbol of the closeness of the Cirebon muslim community to the God. Pedati Gede is a symbol of a vehicle (facility) to achieve a goal, namely Allah SWT. Keywords: pedati gede, magical, symbolic, islam, pekalangan Cirebon Share Link | Plain Format | Corresponding Author (Hendhy Nansha)

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